Free Verse – The Poetry Book & Magazine Fair: Saturday 22 September 2018, 11:00 am – 5:00 pm
As part of the BHS on-going outreach programme, and for the 4th year running we had a table at the new venue, Senate House, London, of ‘Free Verse, The Poetry Book & Magazine Fair ‘, run by the ‘Poetry Society’, and organised by Julie Bird. Senate House is a brilliant venue, and it attracted a lot people, even though it was a rainy day.
In total we made £80.00 from the sale of books, which was nearly double what we made last year. We met some brilliant people and hopefully made some converts to haiku. Our BHS member from USA Robin Smith came especially to meet us during her stay in London.
Helpers on the day were Kate B. Hall, Iliyana Stoyanova, Debbi Antebi, David Bingham, David Jacobs and Frank Williams. Above are a few photos from the day.
Haiku contest for the opening of Wagamama Chelmsford
This summer, the British Haiku Society was approached by Wagamama to assist them with a series of restaurant openings across England. As a new and eager member, I volunteered to help with the Chelmsford branch and, some weeks later during the height of the heat wave, found myself on the train to a city I had never been to, to teach total strangers about the marvelous and mysterious form that is haiku.
The Wagamama marketing team were very helpful in the fortnight leading up to the event and gave me a generous budget from which to provide haiku entertainments and draw a fee. We decided that as it was to be an outdoors event, with diners turning up at different times, it would be best if I could run a haiku contest, whilst walking around to chat informally about haiku with the visitors individually as they waited for their dishes to arrive.
With this in mind, I turned up early and brought decorations of origami cranes in the Wagamama colours of black, white and orange to set at each place on the table alongside a haiku competition entry form and a biro. I had a table to one side (next to a very charming sake stand) and covered it with more entry forms, some beginners’ haiku guides I had written and printed, and of course the grand prize: a copy of Haiku: Classic Japanese Short Poems published by Amber Books, a mini notebook and pen, and a Wagamama tote bag.
As I wandered around and talked to people about haiku, I was amazed by the enthusiasm with which they greeted me. Everyone was friendly and incredibly eager to learn about and write haiku, particularly the children, who encouragingly had all been learning about them at school. It made my job very easy: the hard part was judging so many fabulous entries. In the end the prize went to a lovely family, who had between three of them submitted over twelve excellent haiku!
I feel very lucky to have had the opportunity to help with this event and am immensely grateful to both the British Haiku Society and Wagamama for making it happen and welcoming me on board.
THE BRITISH HAIKU SOCIETY AWARDS 2018
Comprising three categories: Haiku, Tanka and Haibun
The Competition is OPEN to both members and non-members of the society from all over the world.
Rules of the BHS Haiku, Tanka and Haibun Awards:
1. Submissions must be in English, unpublished and not concurrently entered for any other competition, and remain unpublished until the results are declared. Submissions should not appear in any print or online publication, social media (Facebook, Twitter, etc.) or forums as the competition is anonymous. There is no limit on the number of submissions per competitor.
2. Deadline: in the administrator’s e-mail by 31 January 2019.
3. Entry procedures:
Please note that all UK and non UK entries should be sent by e-mail to: bhsawardsadmin (a) fastmail . co . uk If you don’t have an e-mail, please contact the BHS Administrator Iliyana Stoyanova by post for more details. Her contact details are to be found in the membership list.
Please note that the PayPal payment should be made in £ sterling. Same fees apply for all UK and non UK entries which include an extra 10% to cover the PayPal transfer fee. See the table below.
Payments by PayPal. The entry fee for up to 3 haiku is £5.50 and £1.10 per haiku thereafter (incl.the 10 % fee). The fee for tanka or haibun works the same as for haiku. You will need to make a separate payment for each category you wish to enter (i.e. no mixing for one fee).
If you are uncertain about the payment options or have any other questions, please do not hesitate to contact the BHS Administrator at the e-mail above.
If you wish to submit haiku, tanka or haibun, please use the form below:
3 haiku/tanka/haibun for £5.50
4 haiku/tanka/haibun for £6.60
5 haiku/tanka/haibun for £7.70
6 haiku/tanka/haibun for £8.80
7 haiku/tanka/haibun for £9.90
8 haiku/tanka/haibun for £11
9 haiku/tanka/haibun for £12.10
10 haiku/tanka/haibun for £13.20
11 haiku/tanka/haibun for £14.30
12 haiku/tanka/haibun for £15.40
13 haiku/tanka/haibun for £16.50
14 haiku/tanka/haibun for £17.60
15 haiku/tanka/haibun for £18.70
16 haiku/tanka/haibun for £19.80
17 haiku/tanka/haibun for £20.90
18 haiku/tanka/haibun for £22
19 haiku/tanka/haibun for £23.10
20 haiku/tanka/haibun for £24.20
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5. No current trustee of the British Haiku Society or any of the current judges is eligible to enter.
6. Adjudication process:
BHS will appoint two judges for haiku, two for tanka and one for haibun. Each judge sees all entries submitted in the category assigned to him/her, and without consulting, makes his/her independent choice of best haiku, tanka or haibun – and also chooses one runner-up and up to 3 ‘honourable mentions’. Their choices will be final and no correspondence can be entered into about the results. It is possible for an entrant to win more than one prize.
The Judges for the 2018 British Haiku Society Awards are:
Haiku – Claire Everett and Scott Mason Tanka – Debbie Strange and Linda Jeannette Ward Haibun – David Bingham
For haiku, prizes of £125 will be awarded to each of the two best and £50 to each of two runners-up.
For tanka, prizes of £125 will be awarded to each of the two best and £50 to each of two runners-up.
For haibun, prize of £125 will be awarded to one winner and £50 to one runner-up.
8. Publication of results:
As soon as results are known and the winners are notified, the results will be published on the BHS website at www.britishhaikusociety.org.uk. All haiku, tanka and haibun selected for awards, along with the judges’ reports, will be published in the May 2019 issue of the BHS journal, Blithe Spirit. All winners, runners-up and ‘honourable mentions’ will receive BHS Awards certificates.
9. For early notification of results, please provide a valid e-mail.
10. Copyright reverts to authors after publication in the BHS journal, Blithe Spirit, but entry for any category signifies agreement to your work being published digitally by the BHS or copied for archival purposes (for example, by the British Library or the Poetry Library, London).
I was very kindly invited by The British Haiku Society to attend the opening evening event at Wagamama, a Japanese influenced restaurant in Liverpool. As soon as I entered Wagamama I knew I had entered an oasis of calm and tranquility with a distinct Zen like quality of flow. I felt immediately that haiku had a home here.
The restaurant was soon filled with people eager to taste the Japanese inspired food and at the same time experience for themselves the concept of haiku and how integrated it is into Japanese culture. The guests were given a selection of Haiku Cubes which act as a medium of inspiration in creating their own unique poem. Alongside this was cherry blossom paper with 2 examples of haiku written by one of Japan’s most prolific Haiku Master’s Matsuo Basho. Together with 2 haiku written in the 21st century. It made for some great inspiration and anticipation at the chance to create live haiku on the night.
This was followed by my talk about haiku – it’s origins, form and influence in society back in the 17th century and in the 21st century. And also a little bit about Basho and how integral he was to both the expansion and awareness of haiku in the Japanese culture. The guests were then presented with the most delicious food which I can only describe as nothing less than works of Art! And the Head Chef visited each table and gave a talk on the food, it’s flavours alongside its Japanese influence.
In-between Mains and Deserts every one got busy writing Haiku! And I have to say the Haiku produced was of such a high standard, some of which were a strict 17 syllabic count which was very impressive.
There was a chosen winner and a prize of a haiku collection book was given.
It was wonderful to see how a form of poetry from many centuries ago had traveled from Japan to Liverpool into the 21st Century and maintained its ability to reconnect “Self with self” and connect people to each other. It restored my faith in the power and ability of words to heal the world haiku by haiku.
BHS SPRING GATHERING, SATURDAY 19 MAY 2018 11 AM – 5 PM
KENSINGTON CENTRAL LIBRARY, 12 PHILLIMORE WALK, KENSINGTON
This year the BHS Spring Gathering took place in the Meeting Room at the Kensington Central Library. There were four main parts to the day:
(1) Spring Gathering Haiku
In the morning session led by Debbi Antebi, participants wrote haiku on the theme of ‘spring gathering’. There were many different perspectives and approaches to the same theme, as will be seen from the examples below.
its wits and me –
— Alan Summers
around the old oak
a mass of daffs
— Andrew Shimield
i scribble something
& cross it out
— Caroline Skanne
the sound of bicycle tyres
down lanes in spring
with my many selves
— Colin Blundell
the squirrel always first
at the bird feeder
— David Bingham
spring gathering my strength for a haiku
— David Jacobs
the scent of wisteria
at my doorstep
— Debbi Antebi
finding fellowship & fun
— Di Davy
my muse didn’t visit
the park today
— Frank Williams
Zebedee, Dylan and all,
— Howard Colyer
sunny breakthrough –
in the poplar fluff
a mini rainbow
— Iliyana Stoyanova
hares on the hill
— Kate B Hall
a gathering of eggs
— Mark Gilbert
little groups of flag-wavers
— Mark Gilfillan
gathering of crows
— Paul Hickey
I find my way
by unfamiliar routes
— Susan Lee Kerr
(2) ‘Whoku’ Session
This session was led by Mark Gilbert, who informed us about a relatively new form of haiku/senryu in which one line (or part of a one-line poem) consists of the name of a person who is alive, dead, real or fictional. Some examples of the form were shared, and participants were asked to try their hand at writing whoku.
the impossible shine
of his shoes
the wren’s song is perfect
the wren’s song is improvised
— Mark Gilbert
(3) Ginko and Kukai
We were fortunate to have a sunny afternoon for the ginko in Hyde Park, which was led by Alan Summers. Upon our return, we shared the haiku that had been produced and held a haiku contest (kukai). The winner of the contest was Frank Williams, who received a haiku book prize.
Here is his winning haiku:
the sat on log has
its own rhythm
(4) Haibun Time
The day finished with a haibun activity led by David Bingham, who discussed different ways in which haibun may be written and shared strategies for crafting strong pieces. Participants were then asked to write their own haibun based on their ginko experience and to share their writing within their groups.
Overall, it was a great day filled with haikai activities, and the feedback received from the participants was very positive.
Write-up by Debbi Antebi
Photos by Debbi Antebi, Frank Williams, Howard Colyer and Iliyana Stoyanova
On Saturday 2 December 2017 nearly 30 BHS members met for the BHS Winter Gathering and AGM at the Conway Hall, Red Lion Square, London. In the morning we had the AGM and a wonderful workshop led by Diana Webb – Having Fun with Haibun: matching haiku with the haibun prose and writing haibun in groups inspired by “Balloon Girl”(2002) – a mural by graffiti artist Banksy.
This is one of the haibun written by Kate B Hall, Karen Hoy, Debbi Antebi, Frank Williams and Iliyana Stoyanova:
Letting go of her childhood. The weeds at her ankles. Signed by the artist in colour on the grey wall. The wind in her outstretched hand. Both the child and the wall keeping their innocence.
on the South Bank a girl mesmerized by a red balloon
In the afternoon we enjoyed a haiku performance by the Green Wood Haiku Group – haiku and haibun reading, accompanied by shakuhachi music and singing, a sequence of urban haiku performed in an experimental way, and an audio visual display. The members of the Green Wood Haiku Group who wrote material and took part were: Martin White, Sue Richards, Lizzie Prudence, Norma Gregson, Sandra Goodfellow, Ann Turnbull, Bethany Rivers, Catherine Redfern, and David Bingham. Afterwards we had a structured discussion about the techniques which can be used when performing haiku.
So all in all we had quite a lively and informative gathering and we are looking forward to the next year!
Write-up: Iliyana Stoyanova
Photos: Frank Williams & Debbi Antebi
On the 30th of September 2017 for the third year running, the BHS had a table at the Poetry Book Fair at Conway Hall, London. The Fair was not as busy as last year, however thanks to the BBC documentary quite a few people stopped to talk to us at our stall and took leaflets. In total we made £46.00 from the sale of BHS books, anthologies, and Blithe Spirit copies. The pocket-size 2016 members’ anthology proved to be very popular.
All in all we were successful in the BHS remit to outreach to the public. We hope to return again to the Poetry Fair next year.
Many thanks to helpers, Kate B. Hall, Iliyana Stoyanova, Frank Williams and Mark Gilfillan who took turns in staffing the table throughout the day, and making it a success!
Write-up: Frank Williams & Iliyana Stoyanova Photos: Frank Williams, Iliyana Stoyanova & Jason Why
On 2nd July 2017, thirteen members of the London Haiku Group ran by Coordinator, Mark Gilfillan assembled for a meeting at the Royal Festival Hall. Each person brought along six poems for critiquing. A few months earlier it was agreed that the Group would produce an Anthology based on the poems brought along for critiquing. The Anthology would be edited by Frank Williams. From each person two poems were chosen by popular vote for inclusion in the project. We also welcomed two new people to the Group. Each person read out their poems and they were commented upon. The quality of work submitted was excellent, and showcased the wide variety of styles being produced, which added an extra interest and sparkle to the discussion. It is hoped that the Anthology will be finalised by the end of 2017. After the meeting a few members retired to the bar for refreshments and a general chat. The next meeting was scheduled for 3 September 2017 at the Royal Festival Hall, meeting at 12.45pm by the ticket office for a 1pm start.