The day started off with refreshments, where members reacquainted themselves with old friends and met new ones. In total, 39 members were in attendance on the day.
Long-standing BHS member Diana Webb led a haibun workshop entitled ‘Dialogues’, where we were asked to partner up to produce a haibun based on a dialogue between the prose and haiku writer. Art postcards were passed around by way of prompts. Several of the haibun were read out. Some very interesting pieces were produced.
After the AGM, which went routinely well, we had lunch, then we were treated to a workshop led by Lee Gurga, past president of the ‘Haiku Society of America’, former editor of the journal, ‘Modern Haiku’ and currently editor of ‘Modern Haiku Press. Lee started off with an interesting talk regarding ‘what’s next after you’ve had work published’. Lee explored the issues of personal mastery, group service, and genre vision as a way to challenge you up to your next game level. The second part of his presentation consisted of the workshopping of haiku that were emailed to him earlier by members. This produced a very lively discussion regarding haiku form, which words to take out etc.
It’s events like this that make me believe, if only a few our politicians read haiku, then the world would be a happier, kinder place. It’s then, I think of the quote, and I paraphrase, “When all seems lost, remember there is always hope (and haiku).” I’m pleased to report that haiku is alive and well in the UK.
Write-up by Frank Williams
Photos by Maeve O’Sullivan and Frank Williams (Photo collage put together by Iliyana Stoyanova)
THE BRITISH HAIKU SOCIETY AWARDS 2019
Comprising three categories: Haiku, Tanka and Haibun
The Competition is OPEN to both members and non-members of the society from all over the world.
Rules of the BHS Haiku, Tanka and Haibun Awards:
1. Submissions must be in English, unpublished and not concurrently entered for any other competition, and remain unpublished until the results are declared. Submissions should NOT appear in any print or online publication, social media (Facebook, Twitter, etc.) or forums as the competition is anonymous. There is no limit on the number of submissions per competitor.
2. Deadline: in the administrator’s e-mail by 31 January 2020.
3. Entry procedures:
Please note that all UK and non UK entries should be sent by e-mail to: bhsawardsadmin (a) fastmail . co . uk If you don’t have an e-mail, please contact the BHS Administrator Iliyana Stoyanova by post for more details. Her contact details are to be found in the membership list.
Please note that the PayPal payment should be made in £ sterling. Same fees apply for all UK and non UK entries which include an extra 10% to cover the PayPal transfer fee. See the table below.
Payments by PayPal. The entry fee for up to 3 haiku is £5.50 and £1.10 per haiku thereafter (incl. the 10% fee). The fee for tanka or haibun works the same as for haiku. You will need to make a SEPARATE PAYMENT for each category you wish to enter (i.e. no mixing for one fee).
If you are uncertain about the payment options or have any other questions, please do not hesitate to contact the BHS Administrator at the e-mail above.
If you wish to submit haiku, tanka or haibun, please use the form below:
3 haiku/tanka/haibun for £5.50
4 haiku/tanka/haibun for £6.60
5 haiku/tanka/haibun for £7.70
6 haiku/tanka/haibun for £8.80
7 haiku/tanka/haibun for £9.90
8 haiku/tanka/haibun for £11
9 haiku/tanka/haibun for £12.10
10 haiku/tanka/haibun for £13.20
11 haiku/tanka/haibun for £14.30
12 haiku/tanka/haibun for £15.40
13 haiku/tanka/haibun for £16.50
14 haiku/tanka/haibun for £17.60
15 haiku/tanka/haibun for £18.70
16 haiku/tanka/haibun for £19.80
17 haiku/tanka/haibun for £20.90
18 haiku/tanka/haibun for £22
19 haiku/tanka/haibun for £23.10
20 haiku/tanka/haibun for £24.20
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5. No current trustee of the British Haiku Society or any of the current judges is eligible to enter.
6. Adjudication process:
BHS will appoint two judges for haiku, two for tanka and one for haibun. Each judge sees all entries submitted in the category assigned to him/her, and without consulting, makes his/her independent choice of best haiku, tanka or haibun – and also chooses one runner-up and up to 3 ‘honourable mentions’. Their choices will be final and no correspondence can be entered into about the results. It is possible for an entrant to win more than one prize.
The Judges for the 2019 British Haiku Society Awards are:
Haiku – Anna Maris and David Lanoue Tanka – Gregory Longenecker and an’ya Haibun – Simon Chard
For haiku, prizes of £125 will be awarded to each of the two best and £50 to each of two runners-up.
For tanka, prizes of £125 will be awarded to each of the two best and £50 to each of two runners-up.
For haibun, prize of £125 will be awarded to one winner and £50 to one runner-up.
8. Publication of results:
As soon as results are known and the winners are notified, the results will be published on the BHS website at www.britishhaikusociety.org.uk. All haiku, tanka and haibun selected for awards, along with the judges’ reports, will be published in the May 2020 issue of the BHS journal, Blithe Spirit. All winners, runners-up and ‘honourable mentions’ will receive BHS Awards certificates.
9. For early notification of results, please provide a valid e-mail.
10. Copyright reverts to authors after publication in the BHS journal, Blithe Spirit, but entry for any category signifies agreement to your work being published digitally by the BHS or copied for archival purposes (for example, by the British Library or the Poetry Library, London).
The Essex Haiku Group will bring together poets in the Chelmsford and surrounding areas on a monthly basis. If you wish to join this new group, please contact Rob Kingston at rob_kingston (a) yahoo . com
The BHS was the sponsor and organizer of an International Haiku Conference which took place at the Maltings Arts Theatre in St Albans, UK on the weekend of Friday, 31 May to Sunday – 2 June 2019. The overall theme of the conference was ‘Haiku Crossing Cultures, Harmony within Diversity’.
Friday Evening, May 31st
The conference began with a reception. Drinks were served on arrival and the proceedings started with a speech from the BHS President, Colin Blundell, in which he outlined the programme for the weekend.
This was followed by the launch of the conference anthology, ‘where silence becomes song’. Each contributor introduced themselves and read the haiku they had written for the anthology.
The evening concluded with a beautiful tanka recital in English and Japanese by Mariko Kitakubo. We will treasure the memory of her grace and elegance in this wonderful performance.
Saturday Morning, June 1st
In the morning there were three sessions:
Judy Kendall gave a thought-provoking lecture entitled “Haiku – The Whirlpools of Translation” in which she tackled the problems faced by translators of haiku into English from Japanese and other languages. Those who heard Judy won’t be taking translations of haiku into English for granted anymore; she has encouraged us to dig deeper!
Ralf Bröker’s lecture “Scibun or What Kind of Haiku They Don’t Read on Rigel IV?” took us to places we don’t normally visit with haiku; star systems millions of miles from our own. After his inspiring words several haibun writers have said they might try writing some ‘Scibun’ in the future (or about the future?).
Charles Trumbull’s presentation “Georgia O’Keeffe and the Haiku Aesthetic” was obviously a topic close to Charles’ heart. We were moved not only by the beauty of O’Keeffe’s paintings but also by the dedication Charles has for her as fellow traveller in the world of minimalist expression.
Saturday afternoon, June 1st
In the afternoon there were four sessions:
Ikuyo Yoshimura gave an enlightening lecture “RH Blyth’s Influence on the Modern Haiku World” which included her reminiscences of the occasions when she had met and discussed haiku with David Cobb and James Hackett in the early days of haiku being written in English.
David Lanoue’s lecture “Gendai Issa” was informative and stimulating. He showed us how Issa appeared ‘modern’ to his contemporaries and encouraged us to think as Issa might have done if he were alive today. His illustrative examples of traditional and modern haiku were brilliantly chosen.
Ginko: Conference participants either went on a guided ginko led by Iliyana Stoyanova or were free to seek out their own inspiration for writing haiku. On returning to the conference venue the haiku written on the ginko (or previously in St Albans) were entered into a haiku competition. Then the conference participants shared the haiku they had written while the judging of the haiku took place. If people did not wish to take part in the ginko there was an opportunity to take part in a haiga workshop with the watercolour artist, Elisaveta Ilieva.
She demonstrated the process of creating haiga step-by-step and, as a result, several people have expressed their intention to try out some of the techniques she showed them.
The Green Wood Haiku Group performed “The Scent of Ordinary Things” which included music, song, visuals and drama. Their presentation was divided into ten sections, each of which showed the audience a different way in which haiku, tanka or haibun may be performed.
At the end of the day the results of the haiku competition were announced:
Colin Blundell (UK) and Anna Maris (Sweden)
1 Prize – Debbi Antebi:
2 Prize – Iliyana Stoyanova:
his bench almost catches
the morning sun
3 Prize – Alan Maley:
at Marks and Spencer
an old lady lingering
by the lingerie …
Sunday morning, June 2nd
There were six sessions on the final day:
Ian Storr brought us up to date with the “Sense of Place: Haiku, Glass and the British Coast” project. The original proposal has expanded imaginatively to include experimental glass-making, artwork and a project website.
Antoaneta Nikolova and Yordan M. Georgiev explored the nature of ‘minimalism’ in their presentation “Nano-haiku: A Possible Meeting Point between East and West” and by the end of their presentation we were thinking about ‘minimalism’ in a completely new and exciting way.
Anna Maris, in her lecture “Haiku in Scandinavia – Language and Cultural Reference” led us away from the limited view we often have of haiku and brilliantly introduced us to a more international perspective.
Yutaka Matsubayashi presented a magnificent group display of precision and athleticism in a demonstration of kendo sword-play. This was greatly appreciated by everyone.
The final event of the morning was a concert of folk songs and dances from Okinawa and Akita led by David Hughes. Their performance was so good the audience took to the dance floor to join the dancers and drummers on stage. We could not contain our enthusiasm; we all loved it!
Paul Chambers was unable to attend the conference. However, he kindly provided us with his presentation, “The Trembling of the Moment – The Haiku of Federico Garcia Lorca” which Debbi Antebi stepped in and introduced.
Throughout the conference, participants were able to buy a wide range of haiku publications from the bookstall, which was manned by Frank Williams.
Sunday afternoon, June 2nd
There was a farewell meal in a local Turkish restaurant for anyone who was able to stay for the afternoon.
Write-up by David Bingham and Iliyana Stoyanova
(International Haiku Conference Organising Committee – UK, 2019)
Photos by IHC participants: Frank Williams, Carita Forslund, Ralf Bröker, Mariko Kitakubo, Mark Gilfillan, Elisaveta Ilieva, Mike Kevile, Ikuyo Yoshimura and Robert Moyer
Haiga by Elisaveta Ilieva inspired by selected haiku from the IHC anthology
Launch of the Bulgarian/English collaborative haiku anthology
‘Beyond Words/Отвъд думите’ in Sofia, Bulgaria – 18 December 2018
David Bingham and I spent two wonderful days in Sofia with our good friend and guide Iliyana Stoyanova. After a two hour and forty-five-minute flight from Gatwick, we arrived in snowy Sofia at midday on 17 December 2018. Iliyana was there to welcome us. After settling in our hotel, we had lunch, and started a tour of this beautiful city. Over the next two days we visited The St. Alexander Nevsky Cathedral (one of the largest Eastern Orthodox Cathedrals in the world) and the The Museum of Christian Art, housed in its crypt; the National Ethnographic Museum; Sofia City Art Gallery and many other places of interest.
On the evening of 18 December, we attended the launch of the Bulgarian/English collaborative haiku anthology, ‘Beyond Words/Отвъд думите’. We were warmly welcomed at the American Center at the Sofia City Library by our Bulgarian haiku hosts and were kindly given, much to my surprise, many gifts. About forty-five people attended this event. The evening started at 6pm and was split in two halves. The first half of the proceedings consisted of our hosts voicing a welcome to those present. Then there was a 4-part recital from the anthology; and two singers Alexandra Ivoylova and Dilyana Georgieva entertained us with their fine voices.
The second half consisted of David thanking our hosts in Bulgarian and subsequently giving a commentary on some of his favourite Bulgarian haiku. I then read out my haiku, and those of Diana Webb, and to finish a haiku by Iliyana. Throughout this part, Iliyana was very busy translating. She also shared with the audience Keith Coleman’s wonderful letter with comments on almost every Bulgarian poet included in ‘Beyond Words’ and David Jacobs’ review of the anthology in the latest issue of Blithe Spirit. The haiku that I read of Iliyana was:
дъждовни капки отмерват
which to me summed up the effort she had put into this project over a long period. Overall, a wonderful evening, which I will never forget. A big thank you to our hosts, the Bulgarian Haiku Union, the Haiku Club – Plovdiv and the other poets, their representatives Sofia Philipova, Zornitza Harizanova, Ivanka Yankova and Vessislava Savova for their splendid welcome and kind words. I truly believe that haiku can bring people together in the most amazing and positive way.
Some photos from our visit to Sofia and this special evening are attached below:
Write-up: Frank Williams
Photos: Frank Williams, Zornitza Harizanova and Iliyana Deleva
BHS Winter Gathering and AGM 2018
Conway Hall, London
At the BHS Annual General Meeting on 17th November 2018 in London results of the biennial election were announced. The Management Committee for 2019-21 is: President, Colin Blundell; General Secretary, Susan Lee Kerr; Treasurer, Paul Hickey; Membership Secretary, Frank Williams; Blithe SpiritEditor, Caroline Skanne; Editor, the brief : Debbi Antebi; Communications Officer, Iliyana Stoyanova; Members without Portfolio: David Bingham, Mark Gilfillan; Mentoring Service: Andrew Shimield
BHS is in very good financial shape and membership is the highest ever, 379 people. This is mainly due to social media and the BHS website. The BHS Facebook group has 1278 members and the BHS page has 2069 likes. The Society is now fully compliant with the new 2018 Data Protection legislation.
Outreach and links to other societies included: London/South East regional group meeting by The National Poetry Library as a regular venue and liaising with Andy Bungay of Wandsworth Radio to promote haiku and the BHS. Wagamama haiku workshops in Liverpool, Chelmsford and London. Collaboration with Bulgarian haiku societies, contact with the UHTS (United Haiku and Tanka Society) and Blithe Spirit articles featuring poets of the Polish Haiku Association and the African haiku network.
Music, trains and words were strands of the 2018 Winter Gathering at London’s Conway Hall on 17 November compered by David Bingham. In the first of four activities Colin Blundell challenged groups with Haiku for Musicalising. From given haiku, members created musical moods using a range of simple percussion and voices: crinkling plastic cups, small drums, woo-woo sounds, stamping feet, thumb pianos, bells and whistles. Rain fell, winds blew, fireworks burst, loudspeakers crackled…
The Sound of Haiku, a guest presentation, provided a different musical mode. Marco Alessi played nine recordings of experimental electronic music inspired by traditional Japanese poetry. Naviar Records is a music community and label he leads which invites composers to participate online http://www.naviarrecords.com
The sound of haiku in Bulgarian was introduced by Iliyana Stoyanova. Members read works which appeared in Beyond Words, a Bulgarian-English anthology published this year by the Bulgarian Haiku Union and Haiku Club Plovdiv with some sponsorship by BHS. Iliyana re-read the same pieces in Bulgarian, a demonstration of how one language can take more – or fewer – words and syllables to express the same poem.
At the end of the day came a Haiku Train conducted by Iliyana. Haiku trains are a form of renshi – a modern development of renga and renku with participants in small groups writing collaborative poetry. From the starts of two different haiku many different ‘trains’ resulted. A word from the final line in each haiku – or several words or the whole line – must be in the first line of the next haiku.
Spot the links in this one from Team Squash: David Bingham, Kate B Hall, Sarah Lawson, Sprite.
a veil of snowflakes
covers the hedge
the cat flap opens
in a flap…
late for work, still searching
for lost car keys
a streetcar named desire –
all the movies I never saw
and never will
quote the raven ‘Nevermore’
and flew away
from the Tower
towering above the snowfield
a pine reaches
for the sky
I pine for my youth
in dare-devil mode
Write-up by Susan Lee Kerr Photos: Frank Williams, Mike Keville
Free Verse – The Poetry Book & Magazine Fair: Saturday 22 September 2018, 11:00 am – 5:00 pm
As part of the BHS on-going outreach programme, and for the 4th year running we had a table at the new venue, Senate House, London, of ‘Free Verse, The Poetry Book & Magazine Fair ‘, run by the ‘Poetry Society’, and organised by Julie Bird. Senate House is a brilliant venue, and it attracted a lot people, even though it was a rainy day.
In total we made £80.00 from the sale of books, which was nearly double what we made last year. We met some brilliant people and hopefully made some converts to haiku. Our BHS member from USA Robin Smith came especially to meet us during her stay in London.
Helpers on the day were Kate B. Hall, Iliyana Stoyanova, Debbi Antebi, David Bingham, David Jacobs and Frank Williams. Above are a few photos from the day.
Haiku contest for the opening of Wagamama Chelmsford
This summer, the British Haiku Society was approached by Wagamama to assist them with a series of restaurant openings across England. As a new and eager member, I volunteered to help with the Chelmsford branch and, some weeks later during the height of the heat wave, found myself on the train to a city I had never been to, to teach total strangers about the marvelous and mysterious form that is haiku.
The Wagamama marketing team were very helpful in the fortnight leading up to the event and gave me a generous budget from which to provide haiku entertainments and draw a fee. We decided that as it was to be an outdoors event, with diners turning up at different times, it would be best if I could run a haiku contest, whilst walking around to chat informally about haiku with the visitors individually as they waited for their dishes to arrive.
With this in mind, I turned up early and brought decorations of origami cranes in the Wagamama colours of black, white and orange to set at each place on the table alongside a haiku competition entry form and a biro. I had a table to one side (next to a very charming sake stand) and covered it with more entry forms, some beginners’ haiku guides I had written and printed, and of course the grand prize: a copy of Haiku: Classic Japanese Short Poems published by Amber Books, a mini notebook and pen, and a Wagamama tote bag.
As I wandered around and talked to people about haiku, I was amazed by the enthusiasm with which they greeted me. Everyone was friendly and incredibly eager to learn about and write haiku, particularly the children, who encouragingly had all been learning about them at school. It made my job very easy: the hard part was judging so many fabulous entries. In the end the prize went to a lovely family, who had between three of them submitted over twelve excellent haiku!
I feel very lucky to have had the opportunity to help with this event and am immensely grateful to both the British Haiku Society and Wagamama for making it happen and welcoming me on board.
I was very kindly invited by The British Haiku Society to attend the opening evening event at Wagamama, a Japanese influenced restaurant in Liverpool. As soon as I entered Wagamama I knew I had entered an oasis of calm and tranquility with a distinct Zen like quality of flow. I felt immediately that haiku had a home here.
The restaurant was soon filled with people eager to taste the Japanese inspired food and at the same time experience for themselves the concept of haiku and how integrated it is into Japanese culture. The guests were given a selection of Haiku Cubes which act as a medium of inspiration in creating their own unique poem. Alongside this was cherry blossom paper with 2 examples of haiku written by one of Japan’s most prolific Haiku Master’s Matsuo Basho. Together with 2 haiku written in the 21st century. It made for some great inspiration and anticipation at the chance to create live haiku on the night.
This was followed by my talk about haiku – it’s origins, form and influence in society back in the 17th century and in the 21st century. And also a little bit about Basho and how integral he was to both the expansion and awareness of haiku in the Japanese culture. The guests were then presented with the most delicious food which I can only describe as nothing less than works of Art! And the Head Chef visited each table and gave a talk on the food, it’s flavours alongside its Japanese influence.
In-between Mains and Deserts every one got busy writing Haiku! And I have to say the Haiku produced was of such a high standard, some of which were a strict 17 syllabic count which was very impressive.
There was a chosen winner and a prize of a haiku collection book was given.
It was wonderful to see how a form of poetry from many centuries ago had traveled from Japan to Liverpool into the 21st Century and maintained its ability to reconnect “Self with self” and connect people to each other. It restored my faith in the power and ability of words to heal the world haiku by haiku.