As part of “The British Haiku Society” outreach programme, and for the second year running, we had a table at the “Poetry Book Fair” in Conway Hall, London.
Again all of us wore our BHS T-shirts and everyone looked very smart. Business was quite brisk throughout the day and a total of £110.00 was made from the sale of BHS books and journals. In addition, we not only gained a new member but later on quite a few people liked our Facebook page and joined our lively BHS Facebook group.
In the afternoon Katherine Gallagher, Kate B Hall, Mark Gilfillan and Iliyana Stoyanova took part in very well attended haiku reading in the park – Katherine (haiku and tanka), Kate (haiku), Mark (haiku) and Iliyana (haiku in 5 different languages and haibun).
Many thanks to all involved in this wonderful event and especially to Susan Lee Kerr for our beautiful T-shirts!
All in all an eventful and very successful day!
Photos provided by Frank Williams and Mark’s and Kate’s friends! Write-up: Frank Williams and Iliyana Stoyanova
David Bingham started the day introducing a session about organising work into sequences. Participants were given some examples of haiku and asked to think about the interesting question of what might follow, some example sequences were also provided. Then after an introduction to Haiku sets (Gunsaku) and Sequences (Rensaku) there was a small group sequence exercise. The resulting sequences were then read out and displayed. Unfortunately none were signed so the following example has to be anonymous.
haiku spring gathering
taking three lines
the beggars thin face
her empty cup
scattered at my feet
on my way
lilacs in the square
blunted by this chilly wind
have lost their fragrance
Everyone agreed that this was an interesting and productive session.
Colin Blundell led a very interesting session during which he asked us, looking at a range of haikuic examples, to consider how various haiku writers had made connections between images.
He argued that we are constantly asking what he called ‘virtual questions’ – we don’t actually ask them out loud – they are virtual, occur briefly in the neurons just before we act out a response; they have the effect of sustaining life: what shall I do next? What will my next idea be? Shall I scratch my arm now? What can I see/hear/feel/smell/taste? Shall I move my bottom in the chair now? Shall I look away from the computer screen? On and on… And of course haiku writers, being human, are no exception to this process. They are constantly asking virtual questions like ‘How can I connect this with that?’ ‘What image might connect feeling fully with the first thing I noticed?’
The most resourceful virtual question anybody can ask is HOW CAN I CONNECT THIS WITH THAT?
Example: Shiki, ‘to write a haiku look at the violet at your feet and then look up at the distant mountain…’ Connect them.
By looking at a range of examples, we had to step into the shoes of each writer and figure out how they might have made connections. We did the same thing with connections between verses in some renga.
Short break for tea
Then Kate B Hall led a topical Haiku and Shakespeare workshop, participants were asked to write individually and in groups haiku inspired by passages from various of Shakespeare’s plays. A found haiku exercise followed and then a final exercise using Prospero’s “Our revels now are ended.” From the Tempest, where both inspiration and found haiku could be used. Then end results were then read to everyone. Although Shakespeare was chosen as the inspiration for this session, any writing, poetry, fiction, non-fiction etc. can be used in this way.
Here are one group’s haiku from that last exercise:
Inspired by Prospero!
the ebb and flow of its tide
sand castles collapse
rounded with a sleep
our revels now are spirits
dissolved into dreams
the water meadows exult
The whole day was interesting and creative, many thanks to participants and session leaders.
The Ohanami Festival in Sofia, Bulgaria takes place in April every year. It is organized by the Bulgarian Haiku Union under the patronage of the Japanese Embassy in Bulgaria, courtesy of the Club “Friends of Japan.” There are haiku readings, ginko, ikebana, martial arts demonstrations (Ju-Jitsu, Aikido and Kendo), as well as the planting of sakura trees as part of an over 50 years old tradition. In connection with the festival the Bulgarian Haiku Union invites poets to participate with their works in the International Haiku Contest, in the haiku installations and recitals.
On 10 April 2016 BHS members and friends of the Society took part in the Second International Haiku Contest “Cherry Blossom” in Sofia, Bulgaria part of the Ohanami Festival.
Congratulations to all the winners and runners-up and many thanks to all the participants in the Ohanami Festival and Haiku Contest!
Awards – International Section:
the shadow of my cherry tree
gets back home
— Magdalena Banaszkiewicz – Krosno Odrzańskie, Poland
cherry trees in bloom
he switches from charcoal
— Billy Antonio – Pangasinan, Philippines
At around 10:15am on a drizzly Saturday morning, the great and the good of the British haiku world converged on Conway Hall, Holborn in London, from near and far to attend the Society’s Winter Gathering/AGM and also to celebrate its twenty-fifth anniversary!
After coffee, chat and a browse around the BHS book stall we took to our seats for the commencement of the meeting. Graham High gave a short introduction on the day’s events.
We were treated to a wonderful presentation and short film from Kala Ramesh. It was surprising to see such a high level of quality and imagination in the writings of such young Indian students. The haiku married with film enhanced the whole experience, which was immensely enjoyable! Thank you Kala!
We then took a short break for lunch and at 1:15pm the AGM commenced.
David Cobb started off by offering a few words of sympathy and support to our French cousins, regarding the previous night’s horrific events in Paris; and those assembled observed a one-minute silence.
Graham High then read out the minutes from the previous AGM and these were signed off as a true account. Graham called for nominations from the floor to chair the meeting, and Andrew Shimield was duly nominated and seconded.
It was announced that Sue Richards intended to step down from her role as Editor of “The Brief”. Sue has done a sterling job with “The Brief” for the past three years and I would like to take this opportunity to thank her for her support and wish her well for the future. I will be assuming the role in the new-year. It was also announced that Claire Knight was also stepping down after her role as Membership Secretary and as committee member without portfolio. Those assembled showed their appreciation for all the hard work carried out by Sue and Claire. Our President, Graham High then gave his report on the year and the prospects for 2016. Each committee member with a portfolio then gave their reports. Graham High read out reports from those who were absent; David Bingham (Events Officer) and David Serjeant (Editor, Blithe Spirit). Frank Williams the Membership secretary announced that the society had a total 295 members, a gain of 18 from the previous year.
We were then given an involving presentation by Claire Knight of the latest BHS publication, the wind that blows through us… (exploring the world of haiku and well-being). This turned out to be an unusual and very relaxing, creative and meditative session involving the senses. Colin Blundell and Paul Hickey gave short talks regarding their involvement in the project. There was also an auto drawing workshop involving those assembled. After which, a vigorous discussion took place.
Graham also launched another recent BHS publication, Silver Tapestry. This book takes the form of celebrating some of the finest essays to have appeared within the pages of Blithe Spirit over the past twenty-five years.
After a break for coffee, Peter Butler treated us to a fascinating presentation on haibun. Excellent examples of haibun from Basho to the present day were read out by various members of the haibun group.
After a break for food and a move to a larger adjoining room, we assembled for the evening’s celebrations. Tables were spaced out throughout the larger room. After a toast was proposed for twenty-five years of the BHS, we were all assembled into groups for a fun, and highly creative session of renga. Thanks to Susan Lee Kerr for running this session and keeping order!
It was a thoroughly enjoyable day and I for one am already looking forward to the “Winter Gathering” 2016!
Well done all!
On the evening of Thursday 9th May a gathering took place of twenty-two members of The British Haiku Society, L’Association Francaphone de Haiku, L’Association des Auteurs de Haibun and Kukai Paris at the South Cliff Hotel in Folkestone.
BHS are supporting an exhibition of paintings which illustrate haiku by the artist called Carolina Khouri. She has also produced a book containing the haiku and the accompanying paintings. Sales from the book are going to the Japanese tsunami disaster appeal.
Our Autumn Gathering took place on Saturday, Nov 26th, 10.00am to 4.00pm, 2011, at The Conway Hall, Red Lion Square, London.
Susan Lee Kerr started us off brilliantly with a talk about developing states of creative awareness which included the thoughts of people ranging from Basho, through Ignatius Loyola to Grayson Perry. Inspired by this we were set a haiku writing exercise and the results were put on a wall display. A great idea to get us writing haiku at the start of the day! Susan’s printed notes will be invaluable to members as a starting point for further reading into the ‘awareness gate’ This was a session which really got people going!
The AGM was a lively session with officers’ reports presented efficiently and lots of positive ideas offered by BHS members for the committee to take up in the near future. We discussed items as varied as: the introduction of ‘Twitter’; developing a members’ area on the website; how Blithe Spirit should respond to the evolution of haiku in Japan; links with the French Haiku Society; our 2012 Spring Gathering; the European Parole Project; our 5 Year Plan; and much more.
David Cobb led a stimulating session to start the afternoon. After a brief talk on how to perform haiku, we were divided into groups who each had the job of creating a performance based on the haiku David had selected for us. Then the groups performed in front of the whole gathering. And what performance talents were revealed in the society! Such top notch stuff, prepared in only twenty minutes. All the performances deserved a wider audience; this is definitely something to build on for the future.
Colin Blundell then ‘took our minds for a walk’ through music, art and the written word. This was an inspirational experience for everyone. WOW .. what resources Colin provided us with: art by Ayzen, Paul Klee, his own work and that by John Parsons. We finished by creating haiku based on inspirational drawings. These we shared in the session.
We finished our day by listening to the adjudication of the informal haiga competition by our judges Lynne Rees and Katherine Gallagher. The joint winners were: Phil Madden and Verity Adams. Congratulations to them and thanks to everyone who brought work in for the competition.
Friday 26-Tuesday 30 August and Thursday 1-Monday 5 September, 2011, St Pancras Crypt Gallery, London.
Art Communication Ltd of Tokyo present an Exhibition of Japanese and English haiku rendered decoratively onto silk scarves. Note that different items will be displayed in the two exhibition periods. The organisers of this event are being assisted by the British Haiku Society.